A Hard Day’s Night (1964)
An Argument For It Being Their Best
Beatles fanatics are all familiar with the “Best Album” debate. It’s a way to pontificate about the Fab Four, while simultaneously showing your pals what a know-it-all you are. Throughout the years, most of us have often re-assessed our opinions of The Beatles’ ‘best,’ partly because at least four or five of them are pretty hard to argue against. Post 1967, the pick for many was Sgt. Pepper’s for its magical and timely cultural impact. Later, many found themselves drawn to The Beatles (White Album) for its double LP depth and jarring individuality. Personally, I’m not one who ever seriously considered Abbey Road, though, I get its appeal with mainstream fans. Serious students have historically lingered around Rubber Soul for its sophisticated acoustic prowess, before switching to Revolver for its druggy innovations and re-stylization of the entire pop format. Some are even drawn to Magical Mystery Tour, despite its patchwork, non-LP status. Naturally, I’ve “settled” on nearly all of those myself over the years. You probably have, too.
But, after decades of study, debate, discussion, hand-wringing and good old fashion repeated listening, I’ve finally come to realize that when I think of The Beatles, I think first of A Hard Day’s Night – the band’s first LP to fully shed their 50s influences, which created a music that was truly innovative and truly their own. It’s nearly impossible to trace A Hard Day’s Night‘s lineage. It sounds like The Beatles… and nothing that came before them. Credit its sheer exuberance and vitality… and the compositions, all by Lennon & McCartney for the first time. AHDN is littered with milestones – including the daring introduction of acoustic guitars into a successful beat group formula/fad that was already pre-figured to fail within six months. Still, it all seemed so easy… so effortless. Sheer talent captured on tape. The band never again made an overall album that was this joyous, this uplifting, and that atmosphere is still tangible almost 50 years later. Like many of the greatest albums ever made, A Hard Day’s Night has a consistent stylistic feel from start to finish. Its self-confidence is pure allure. It was an obvious peak, even in its day, though… no one ever imagined it would be only the first of many.
It’s because of all the groundbreaking music that followed A Hard Day’s Night that the album is routinely overlooked as their “best” (or, qualified as the best of their “early LPs“). The album’s irresistible innocence is still ill-defined as pop candy when compared to The Beatles’ “important” cultural contributions, like “Tomorrow Never Knows,” “I Am The Walrus” or “A Day In The Life.” Yet… it’s A Hard Day’s Night that still rings true with a genuine spirit of discovery that greats like Revolver or Abbey Road could never match. Sgt. Pepper’s or Magical Mystery Tour might come close as creative adventures, but then… that’s why it’s always been impossible to decide. Is it The Beatles’ best album? It’s preposterous to suggest, of course. But, since you can hear it all below, this might be a good reason to give A Hard Day’s Night another 30 minutes of your time. Just in case. Upgraded MONO source material.











27 Comments
Amen! What made the boys so great was their music was so joyous and uplifting (even the sad songs had a life-affirming beauty to them). This out and out happy album is a joy start to finish. Listen to John and Paul's orgasmic background vocals on "I'm Happy Just to Dance with You". Or the bittersweet fade of "I'll Be Back." Or George's stately yet strangely tentative guitar solo on "And I Love Her" and you'll know what I mean.
My God, they were good.
Words of wisdom, as ever, whatever anyone could think about the Best Album question…
Cheers
Beatlesite
Good commentary; and I immediately want to listen to it.
In many ways each of the Beatles albums could be big-upped, they all stand alone and can be recognised as part of the band's evolution.
Rubber Soul's 'In My Life'; Revolver's 'Tomorrow Never Knows' (I could go on).
A great tome that really cracks the Beatles is Ian Macdonald's 'Reolution in the Head'. Most enjoyable, well worth a read.
Right, my download's finished, so I'm going to spend the next thirty minutes or so of my life enjoying this album, which I haven't listened to properly for bloody years.
So thanks.
Shanti, roy
Well, yeah.
There is not a single below-par or lazy track on this album. It's cohesive, insanely entertaining, and distills their pre-acid moptop appeal into one condensed blast of pop fun that has never been bettered.
I never pledged allegiance to Rubber Soul as their best, although I can understand why some do. I love half of Abbey Road, because that's all there is to love. I am continuously in awe of the White Album – it may sound dumb, but it scared me as a thirteen year-old kid (still have the mono numbered vinyl) and it still has the power to unsettle. Pepper for me is untouchable, because of the times, and what it meant to me, and would be the greatest album ever made if they hadn't left off Strawberry Fields and Penny Lane. So Revolver it is, for this season, but I'm delighted to get a chance to listen to this again.
Beatle fans should check out the totally jaw-dropping new Fireman album. It has a definite White Album vibe. Amazing Macca.
You have a wide diaspora – I'm on the banks of the Mekhong, looking across at Lao as I type.
A good argument, though I may still disagree.
I saw the film again recently (first time in many years, basically the first time since I was a small child), and I found it to be a very entertaining and funny movie, ignoring the music.
Something that occurs to me as I listen to this again is how perfect a blueprint this album – above all others – is for the entire powerpop movement. Few other labums can claim to have spawned an entire genre!
I'd decided a few years back that the British version of Help is their first "modern" album.
But your argument for AHDN is a persuasive one, too, Willard.
Kumbaya!
A great album, if for no other reason that that it contains my all-time favorite Beatle song: "You Can't Do That." AHDN is mostly John's album, and "You Can't Do That" is one of his finest moments, including his scorching, aggressive guitar solo.
thanks willard! rgds, will
Willard, I've been thinking the same thing recently.
Well… I do not agree.
I think it's still another aprenticeship album.
Their very first GOOD one, was HELP.
It's a question of taste!
PS: This is my favourite blog. Thanks for everythin'!
Thanks for all the comments and opinion. It's very appreciated.
so – finally,I now have a beatles album.- seriously! -in the post war dereliction that was england ( still bomb sites up to the 60s) I could never afford them .I can remember hearing 'with the beatles'
wafting across from the boarders block at school- that was the nearest I got. even writing 'the beatles' is enough to unleash torrents of memeories- the beatles magazine bought at edinburgh airport -the smell of record shops -saturday morning excursions to get whatever the single of the week was ( and the 'box' of she loves you singles on the counter ready for the hordes.) when did music suddenly become 'the industry' etc etc – I could go on forever – thanks a bunch -!!!
If you wrote that, and you aren't a music journalist, you are in the wrong business.
P.S. I wholeheartedly agree with your assessment of AHDN.
I also love HDN and it often is my fave FAB album, in fact its maybe the first Beatles album I truely loved, but thats the jou of their music and declare a favourite album, something like HELP jumps up and bites yer hairy bum and screams "WOTTABOUT ME"
loving the remastered monos.
TT
A great record. Martin Newell once said that the 1960s really began during the opening guitar chord to A Hard Days Night.
I'm still trying to find THAT chord!
Cap, you know I agree completely with the "it's sounds like the Beatles" and nothing else statement.
In fact, before I bought the 1987 CD boxset in my teens, I believed that Beatles For Sale came before AHDN. While loaded with great songs, it still seems like a step back to me.
Cheers,
Cedre
PS I'm still with Revolver but it's a pointless argument ;-)
By the way, the magic chord has been scientifically analyzed (by a Canuck no less!) and here it is:
http://www.science20.com/news_releases/beatles_unknown_hard_days_night_chord_mystery_solved_using_fourier_transform?%2522
Cheers,
Cedre
Thanks for the comment. I was a Revolver guy for years.
There's really nothing else to say, you summed it all up perfectly. I've gone through the same decades-long evolution of finally appreciating this record as their finest moment, too. A while back I was talking with friends about "what's the best power pop album ever" and everyone named records from the 70's through the 90's but for me AHDN not only defined the genre but hasn't been bettered.
You're right. When most think of Power Pop they think of the 70s (or later). After The Beatles lost their more obvious 50s influences, this is pretty much where it all started. Thanks.
Mono it is…
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Search HERE
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Evening, Sir. Thanks for your responses to my requests for Rushes and JL’s LPIT elsewhere :-)
Is this a Mono remasters, or a Mono ‘pre-remasters’?
I’m keen to get all the remasters both Mono and Stereo as I mentioned earlier….
Thanks and keep up the sterling work.
greggery
The mono remaster from 2009.
Fabtasic, will get it!
Cheers W.
greggery
Sorry I didn’t remember to mention it. I’m pretty sure this is the only mono I’ve got posted.